Skip to main content

Masses and Site

Much like the cross discussed in class, a simplistic massing element was initially inserted with the intent being for tinkering. The aim is to provide a 'backbone' for design whilst also allowing for complex expansion that preserves the distinctive identity of the original element.





Placement of the initial massing elements allows for complex interconnections which weave in, out and through different planes; resulting in sensations of level, void and volume caused by the seemingly odd interjections that conjoin and manifold separate forms into cardinal spaces. This arises from ruminations regarding a theory of boundaries, from which the uses and potential design of such spaces can be and should be inferred, once grounded and centralised among the surrounding elements and relative spatial placement. An experimental approach in articulating planar height and depth allows for mediation between space and use, blurring the traditional bounds for and within rooms, corridors and communal areas. Small offshoots deviate assuredly from this turbulent centre with the virtues of privacy and destination, allowing normalcy with which this building is to be moderated into the surrounding landscape. 




This element was rendered in Lumion with the conceptual filter which outlines the progress of its design.




Labels:

Comments

Post a Comment

Popular posts from this blog

Custom Textures

‘Abrasive’ provides uniquely personal and beautiful (in the Burkean sense) texture within an otherwise monolithic, geometric space. It fosters a fascinating interplay between the privileged viewpoints of the car and the workspace, microcosmically embodying the challenges and values imbued within the space, and its design.  Light heartedness of the colouration in ‘Smooth’ helps to define a generally pleasant and artistic building inviting the viewer into the gallery. Its application onto the large draping canopy suggesting a unique approach to design, manifesting as a curiosity towards the gallery and the work within.     The darker ‘Etched’ texture was imposed disjunctively upon the roof structure to emphasise the genteel nature of the curvatures. It was employed away from areas of congregation as to not overpower the observers scale, but instead contrast against the more circular, glistening, white roofs; made further graceful by those geometric shadows overcast.  
1 comment
Read more

Week 7 Iterative Imagined Space.

This week has a focus on photography and so students were asked to iterate the imagined space model whilst considering and improving tis photogenics. Since the macro form had already been developed last week,  I opted for a larger scale of 1:20 to allow for further detailing and more furniture , here's how I did it! Please bear with me whilst I attempt a more interactive version of my flipbook presentation, this one should hopefully describe all the steps with some key observations, please comment below on which style you prefer, and thank you in advance for any suggestions. Just as before, thick carboard prevented neat cutting and folding. A sheet of fridge box was cut and had face profiles drawn. Using a Stanley knife the profiles were cut, leaving the faces exposed The exposed faces provided datum for drawing detailed interior features. Initial problems with profiling were allowed for a creative solution to this week's requirements  which state...
Post a Comment
Read more

Draft Submission

Stage 1: Conception  Introduction  Imagine you are the Dean of a school of Architecture or Engineering. Your school has 100 students who are drawn from all around the world and are supported by scholarships. Your challenge is to design a school that forms a bridge spanning buildings in an urban environment. The urban environment is the lower part of the "UNSW Sydney" Kensington campus; the central building is the Squarehouse (building E4 on this map). In addition, you will design two moving elements that modify the students' view of the school when they see it from locations on the ground plane vs locations above ground level. These different points of view will reinforce or challenge your particular "Theory". Initial Perspectives  Initial Element  Final Element Stage 2: Inspiration  Inspiratory Article   Human Movement in Public Spaces: The Use and Development of Motion-Oriented Design Strategies Words chosen: Experience, temporal, delimitation, obser...
Post a Comment
Read more