Skip to main content

Individual Images

Directionality of lines is emphasised through contrasting oreintations
and a lack of clear perspectival order.

Scale is visible through the juxtapostion shadows cast by the trees and padestrians.
Space is created by voids left between the landscaping, allowing for pedestrian motion.
Contrast within the floor surfaces differenciates
shared zones from exclusively padestrian areas.
Balance is created by offsetting the jagged purtusions of the ladnscaping edge and the building
with the stable, simple and repetitive longitudinal lines.
Colours originating from the various materials, textures and shades
 blend harmoniously to create a lively space. 
Textures are emphasized through the contrast of the airy vegetation against the dense, coarse brickwork.
Alignment accomates usage as the tables with power ports, aligned North-South
are always spanned by the shadows of buildings or the trees making the space acessable all day.
Proximity: is used subtly to space the landscaping edge away from the rooms
 to reduce the travel of noise whilst mainting a reasonable footpath width.
Shapes are organic within the balustrade that naturally conforms aorund the ramp.
Lines visualised through the unifrom geometry of the coloumns, lights,
and tiles,seem to converge alomost perspectivally at the hallway's end.



Repetition of elements including: bricks, tiles lamps and façadal columns
 is rendered emphatic by the perspective. 

Comments

Popular posts from this blog

Design Journal 08/03/2020

Begun translating mys section into a 3D Design, currently the exterior of the upper floor and gallery is complete. Two Stairs need to be either redesgined or added, and lansdcape modelling is incomplete. Basic progression in the build is shown through the images below. The following section has been chosen for construction. Diffuse Striation The hexagonal dome was the most obious part of the section and so was intially constructed, a smaller dome being madw within to act as a sort of photography studio for the Kyza. The stright parts of the section were elongated into a trapezoidal shape to accomodate a geodesic structure at the edge. The edges expand to emphasise the experience of the widening of the space and the panoramic views of the landscape offered. The first floor was similarly articulated with basic geometric shapes and considerations for natural lighting through galss windows.  To increase the complexity of the stuructre curves were added into the roof  to metonomise...

Design Journal13/03/20

The 3D model is almost complete textures and materiality still remain, along with the sloping of the gorund as well as the completeion of online activites regarding the model (including adding the custom textures), depending on time constraints I will endevour to reder this in Lumion.  Work proceded on the model as external components were brought in to imply usage for the spaces on the floor above.  These componets were veichles and car lifts imported from Sketch Up's native 3d warehouse, and are credited in the photos below. Stairs from the first submission were brought in and integrated, to help define access to the above and below levels. The Monolithic cieling of the vestibule was given character with intircate roof art to create textures and depth. A ramp up to the Kyza was installed in the centre of the gallery, whilst the stairs remian ofsset to the left, a sort of symbol prioritizing the access of cars to the first floor rather than that of people. Aadditionial elemen...

Design Journal 16/03/20

The 3D model is approaching completion whilst basic materiality and interior detailing still awaiting completion.  The mountainside terr ain was constructed being careful to follow the curved lines of the geodesic sphere. This took considerable time and computing power as detail had to be constantly added such that the overlap between the ground and below space could be sufficiently reduced. The elements referenced below were used in the futher detailing of spaces. The interior of Jansen's studio begun to take form with the development of a geometrically complex interior, abstracted through the undulation of points within the wall surface. Walls were added to better define the studio space whilst the bottom stairs were adjusted to better suit the liveliness of the space. However lots of improvements must be made to the proportions, textures and depth of the spaces.