The Reimagined Space

Being quite excited about completing all my models in a timely manner, my confidence was brought down to earth after having a look around at the marvellous work of my peers. Realising that this might be my final communications, subject I was unhappy with the box-like structure that I had named my best imaginative space… and so I began to ponder improvements. Initially I had set out just to improve the detailing of the original space this involved the construction of a new balustrade along with some furniture.

Then deciding I had taken enough photos of the interior I begun to cover up incompletions in the model that were let to aid the ease of photography. This involved closing the roof, creating a balcony and moving the stairs. Resulting in a new model altogether.

The model was finished with the addition of a bathroom window, Screen doors and pot plants made out of old coffee pods and small twigs. Completely redifining the exterior facade, resulting in a Reimagined space.

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Custom Textures

‘Abrasive’ provides uniquely personal and beautiful (in the Burkean sense) texture within an otherwise monolithic, geometric space. It fosters a fascinating interplay between the privileged viewpoints of the car and the workspace, microcosmically embodying the challenges and values imbued within the space, and its design. Light heartedness of the colouration in ‘Smooth’ helps to define a generally pleasant and artistic building inviting the viewer into the gallery. Its application onto the large draping canopy suggesting a unique approach to design, manifesting as a curiosity towards the gallery and the work within. The darker ‘Etched’ texture was imposed disjunctively upon the roof structure to emphasise the genteel nature of the curvatures. It was employed away from areas of congregation as to not overpower the observers scale, but instead contrast against the more circular, glistening, white roofs; made further graceful by those geometric shadows overcast.

Week 7 Iterative Imagined Space.

This week has a focus on photography and so students were asked to iterate the imagined space model whilst considering and improving tis photogenics. Since the macro form had already been developed last week, I opted for a larger scale of 1:20 to allow for further detailing and more furniture , here's how I did it! Please bear with me whilst I attempt a more interactive version of my flipbook presentation, this one should hopefully describe all the steps with some key observations, please comment below on which style you prefer, and thank you in advance for any suggestions. Just as before, thick carboard prevented neat cutting and folding. A sheet of fridge box was cut and had face profiles drawn. Using a Stanley knife the profiles were cut, leaving the faces exposed The exposed faces provided datum for drawing detailed interior features. Initial problems with profiling were allowed for a creative solution to this week's requirements which state...

Draft Submission

Stage 1: Conception Introduction Imagine you are the Dean of a school of Architecture or Engineering. Your school has 100 students who are drawn from all around the world and are supported by scholarships. Your challenge is to design a school that forms a bridge spanning buildings in an urban environment. The urban environment is the lower part of the "UNSW Sydney" Kensington campus; the central building is the Squarehouse (building E4 on this map). In addition, you will design two moving elements that modify the students' view of the school when they see it from locations on the ground plane vs locations above ground level. These different points of view will reinforce or challenge your particular "Theory". Initial Perspectives Initial Element Final Element Stage 2: Inspiration Inspiratory Article Human Movement in Public Spaces: The Use and Development of Motion-Oriented Design Strategies Words chosen: Experience, temporal, delimitation, obser...

An Architectural Portfolio

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